

The next session of our Film-Phil Lisbon Seminars will be led by Jeremi Szaniawski (UMass Amherst), who will talk about “Death, Dying, and the Death Throes (?) of Necrorealism in the Films of Alexander Sokurov and Yevgeny Yufit”. Abstract In the 1980s and 1990s, several filmmakers in late Soviet and post-Soviet Russia – including a […]

Reading Group on Catherine Malabou’s “Destructive Plasticity”
Catherine Malabou first arose to prominence in the International philosophical landscape in the 1990s, thanks to her groundbreaking interpretation of G. W. F. Hegel’s system as one revolving around plasticity, which eventually became the key concept of her own philosophical production. Itself a plastic concept, plasticity (“the nature of that which is ‘plastic’, being at once […]

Susana Viegas at Lastro Cineclube (Faculty of Arts and Humanities of the University of Porto)
On May 26 at 6PM, Susana Viegas will introduce Víctor Erice’s El espíritu de la colmena (1973) at the Cineclube Lastro, hosted by the Instituto de Literatura Comparada Margarida Losa at the Faculty of Arts and Humanities of the University of Porto (ILCML/FLUP). The presentation and screening will be held in Amphitheater 2. Víctor Erice’s […]

Susana Viegas at Seminário Aberto de Estética (Institute of Philosophy of the University of Porto)
This May 30, startint at 3:30PM, Susana Viegas will speak at IFP – Institute of Philosophy of the University of Porto, at the Faculty of Arts and Humanities of the University of Porto, with a presentation titled “Memória, Morte e Ausência na “Trilogia do Chile” (2010-2019) de Patricio Guzmán”. In this talk, Susana Viegas will […]

Susana Viegas at filarch 25: architecture | cinema
On May 22 and 23, ESAD (Escola Superior de Artes e Design), in Caldas da Rainha, will host filarch 25, an international conference dedicated to architecture and cinema. Susana Viegas, the Principal Investigator at FILM AND DEATH, will give the opening keynote presentation: “Do Cemitério dos Inocentes ao cinema: a atualidade das Danças Macabras”. In […]